We had a plein-aire class today...Sunday mornings everyone!... at the Hyde Park Marina, just north of Marist College. For most sunny day morning scenes the emphasis is on the great Morning Sky Progression...i.e., the two overlapping progressions of the horizon to zenith of the vault and the strengthening morning sun vortex that emanates from the East.
Monday, July 2, 2012
Saturday, June 30, 2012
Triceps
From last weeks Ecorche class..."The Triceps"
- The primary function of the triceps is to extend the elbow, which results in straightening the arm.
- The secondary function of the triceps is fulfilled only by the long head of the muscle, which is to adduct the arm (or to bring the arm down towards the body). The triceps shares this function with the latissimus dorsi (back muscles).
Labels:
anatomy drawing,
artistic anatomy,
brachium,
ecorche,
Figure drawings,
musculature,
triceps
Tuesday, June 26, 2012
Here's the painting I submitted to the Instructors Show currently on exhibit at the Woodstock School of Art.
It's a scene I painted while at the Art Student's League of New York. At the time , my scholarship duties included tending the clay pit- a large wooden box with a lid that contained hundreds of pounds of terra cotta, used by the clay modeling students. It had to be hosed down and turned at least once a day so as to be supple enough to work with. Some evenings however, I'd stay late into the evening at Carneys drinking beer with Nelson Shanks and fellow students in his class or perhaps with George Sotos and his crew and would neglect my clay duties.This meant that I'd have to stumble over to the League very early and turn the clay before the Sydney Simon or Jonathan Shan class would begin at 8:30.. Fortunately I lived only a few blocks away in a huge four story walk up on 55th and Eighth Street that I shared with five other art students In order to give the clay some time to soak I'd arrive early, around 6:30 , and Washington, the caretaker, would open up and let me inside.As I walked through the dark basement to the back studios where the sculpture studios are, I would see the north light streaming down the corridor and then as I emerged into the studio, that full magical glow would envelope me from the high street level skylights.It was pure magic , being all alone in this most holy of artistic spaces.
It's a scene I painted while at the Art Student's League of New York. At the time , my scholarship duties included tending the clay pit- a large wooden box with a lid that contained hundreds of pounds of terra cotta, used by the clay modeling students. It had to be hosed down and turned at least once a day so as to be supple enough to work with. Some evenings however, I'd stay late into the evening at Carneys drinking beer with Nelson Shanks and fellow students in his class or perhaps with George Sotos and his crew and would neglect my clay duties.This meant that I'd have to stumble over to the League very early and turn the clay before the Sydney Simon or Jonathan Shan class would begin at 8:30.. Fortunately I lived only a few blocks away in a huge four story walk up on 55th and Eighth Street that I shared with five other art students In order to give the clay some time to soak I'd arrive early, around 6:30 , and Washington, the caretaker, would open up and let me inside.As I walked through the dark basement to the back studios where the sculpture studios are, I would see the north light streaming down the corridor and then as I emerged into the studio, that full magical glow would envelope me from the high street level skylights.It was pure magic , being all alone in this most holy of artistic spaces.

Labels:
Art Students League,
art studio,
clay modeling,
ecorche,
Figure Drawing,
sculpture
Portrait in Clay and The Ecorche
Here are a few views of the Friday "Portrait in Clay" Class and the "Ecorche" Class at the Woodstock School of Art.
Serratus Muscles
Monday, May 7, 2012
Artistic Anatomy Demo Drawings
Here's a few recent demo drawings from my Artistic Anatomy Class held at the Woodstock School of Art and at the Barrett Art Center.- The drawings are drawn with with Coates Vine Charcoal and highlighted with NuPastel hard pastel "Ivory".
The surfaces are Canson Mi Tientes 19" x 25" paper and Borden Riley grey 48" charcoal paper roll.
Thursday, January 5, 2012
Subway Sketcher Revisted





More musings from the Subway Sketcher. These are all graphite drawings, executed with 2B leads in a retractable Koh-I-Noor lead holder- my trusty drawing tool. Along with my sketchbook, they are always with me.
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